George Arliss Totally Explained

Everything about George Arliss totally explained

George Arliss (April 10, 1868 - February 5, 1946) was an English Academy Award-winning actor, author, playwright and film maker who found success in America. He was the first British actor to win an Academy Award.

Biography

Born George Augustus Andrews in London, England, he began his acting career on the stage in the English provinces in 1887. By 1900, he was playing London's West End, the equivalent of New York's Broadway, in supporting roles. He embarked for a tour of America in 1901 in Mrs. Patrick Campbell's troupe. Intending to remain in the U.S. only for the length of the tour, Arliss stayed for twenty years eventually becoming a star in 1908 in The Devil. Producer George Tyler commissioned Louis Napoleon Parker in 1911 to write a play specifically tailored for Arliss and the actor toured in Disraeli for five years, eventually becoming closely identified with the 19th century British prime minister.
   He began his film career with The Devil (1921), followed by Disraeli and four other silent films. Today, only The Devil and The Green Goddess (1923), based on Arliss's hit stage play of the early 1920s, are known to have survived. He remade Disraeli (1929) in sound (and won the Academy Award for Best Actor), converting successfully at the age of 61 from a star of the legitimate theater, then silent films, to the talkies.
   Arliss made ten sound films exclusively for Warner Bros. under a contract that gave the star an unusual amount of creative control over his films. Curiously, his casting of actors and rewriting of scripts were privileges granted him by the studio that are not even mentioned in his contract. One of these movies, The Man Who Played God (1932), was Bette Davis' first leading role. Until the end of Davis' life, she'd credit Arliss for personally insisting upon her as his leading lady and giving her a chance to show her mettle. The two also co-starred in The Working Man in 1933.
   Arliss built a production unit at Warners both in front of and behind the cameras. His stage manager, Maude Howell, became an assistant producer and was one of the few women film executives in Hollywood at that time. After his first three films, Arliss approved an undistinguished director, John Adolfi, to direct each of his films from that point on. Adolfi soon found himself regarded as a successful director of the critically and financially acclaimed Arliss films. Arliss preferred to use the same reliable actors from film to film such as Ivan Simpson (who was also a sculptor) and Charles Evans. Yet Arliss had an eye for discovering unknown newcomers such James Cagney, Randolph Scott, and Dick Powell, among others. Despite his extensive involvement in the planning and production of his films, Arliss claimed credit only for acting.
   Working closely with Warners production chief, Darryl Zanuck, Arliss left the studio when Zanuck resigned in April 1933. Zanuck quickly signed Arliss to make new films at Zanuck's fledgling studio, 20th Century Pictures, prompting Warners to bitterly complain to the Motion Picture Academy of Arts and Sciences that Zanuck had "stolen" their star. Arliss is remembered primarily for his witty series of historical biographies such as Alexander Hamilton, Voltaire, The House of Rothschild, The Iron Duke, and Cardinal Richelieu. However, he'd a second string to his bow, a delightful series of domestic comedies such as The Millionaire, A Successful Calamity, The Working Man, and The Last Gentleman, among others.
   He often appeared with his wife, Florence Arliss (1871 - 1950), to whom he was married from 16 September, 1899 until his death. They had no children although Leslie Arliss, who became a prolific producer-director for Gainsborough Studios, is erroneously referred to as their son in some reference works. Florence (or Flo as George called her) starred both on stage and in films (both silent and sound) with her husband and almost always played his character's spouse. However, that didn't prevent Arliss from using another actress when Flo wasn't right for a role. Also, Flo turned down roles that George wanted her to play in films.
   Arliss was approaching 70 when he completed the British-made Doctor Syn in 1937. He and Flo returned to America later that year to visit old friends including famed astronomer Edwin Hubble in California. Producer-director Cecil B. DeMille arranged for the Arlisses to re-enact their roles in Disraeli on DeMille's popular radio show, Lux Radio Theater, in January 1938. The occasion was heralded as "a new page in radio history." George and Flo subsequently appeared on Lux in radio adaptations of The Man Who Played God in March 1938, and in Cardinal Richelieu in January 1939, which was apparently their final dramatic appearance anywhere. (These radio performances are available from "old time radio" vendors in compact disc and tape cassette).
   Returning to their home in London in April 1939, the onset of World War II prevented their return to America during George's remaining years. The only taint of scandal involved charges by the British Government in September 1941 that Arliss hadn't complied with a recent requirement to report bank accounts he maintained in the U.S. and Canada. Similar charges were also brought against actor-playwright Noel Coward a few weeks later. Both men claimed ignorance of the new law but were fined and publicly humiliated by the experience.
   Despite the embarrassment, or perhaps to relieve it, film producer Darryl Zanuck tried to interest Arliss in returning to Hollywood to star in The Pied Piper in 1942. Braving the German aerial bombing of London throughout the war, Arliss remained in his native city where he died of a bronchial ailment in February 1946. Curiously, his gravestone doesn't refer to his success in the performing arts, but recites the one achievement he was apparently most proud: an honorary Masters of Arts degree he received from Columbia University in 1919.
   Arliss was a prominent anti-vivisectionist who founded the National Anti-Vivisection Society of Chicago, Illinois. He was also president of the Episcopal Actors Guild of America from 1921 to 1938.
   Arliss published two autobiographies:

Up the Years from Bloomsbury (1927)
My Ten Years in the Studios (1940)

A recently published biography and film critique:

Robert M. Fells, George Arliss: The Man Who Played God (Scarecrow Press, 2004) Academy Awards and Nominations:

1930 Won for Disraeli

1930 Nominated for The Green Goddess He has a star on the Hollywood Walk of Fame at 6648 Hollywood Boulevard.

Filmography

Year	Film	Role	Other notes
1921	Disraeli	Benjamin Disraeli
1921	The Devil	Dr. Muller
1922	The Man Who Played God	Montgomery Royle
	The Ruling Passion	James Alden
	The Starland Review	Himself	archive
1923	The Green Goddess	Rajah of Rukh
1924	Twenty Dollars a Week	John Reeves
1929	Disraeli	Benjamin Disraeli	Academy Award - Best Actor
1930	The Green Goddess	.The Raja of Rukh	Academy Award nomination
1930	Old English	Sylvanus Heythorp
1931	Alexander Hamilton	Alexander Hamilton
1931	The Millionaire	James Alden
1932	A Successful Calamity	Henry Wilton
1932	The Man Who Played God	Montgomery Royale	The Silent Voice (UK)
1933	Voltaire	Voltaire
	The Working Man	John Reeves
	The King's Vacation	Phillip, the King
1934	The Iron Duke	Duke of Wellington
	The Last Gentleman	Cabot Barr
	The House of Rothschild	Mayer Rothschild/Nathan Rothschild
1935	The Tunnel	Prime Minister of the United Kingdom	aka Transatlantic Tunnel (USA)
	Cardinal Richelieu	Cardinal Richelieu
	The Guv'nor	The Guv'nor	aka Mister Hobo (USA)
1936	His Lordship	Richard Fraser/Lorimer, Lord Duncaster	aka Man of Affairs (USA)
	East Meets West	Sultan of Rungay
	Doctor Syn	Dr. Syn
1939	Land of Liberty		archive footage
1943	The Voice That Thrilled the World	Himself	segment Disraeli - archive footage, uncredited

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